THoTH Tutorial 1 - Scales & Modes

The Scale Mode Syllabus shows the comparison of each mode to its parallel minor.


Contents of this file:

Modes of Major

Modes of Real Melodic Minor

Modes of Harmonic Minor


Modes of Major

The modes of C major are:

Below is a comparison of each mode to its parallel major.

D major scale:

D Dorian compared to D major:

E major scale:

E Phrygian compared to E major:

F major scale:

F Lydian compared to F major:

G major scale:

G Mixoydian compared to G major:

A major scale:

A Aeolian compared to A major:

B major scale:

B Locrian compared to B major:


Modes of Real Melodic Minor

The Real Melodic Minor scale contains a flatted third, natural sixth, and natural seventh.

It is the same as the Ascending Traditional Minor Scale.

C Real Melodic Minor Scale:

The modes of C Real Melodic Minor are:

Below is a comparison of each mode of Real Melodic Minor to its parallel major.

C major scale:

C Real Melodic Minor compared to C major:

D major scale:

D Dorian Flat2 compared to D major:

Eb major scale:

Eb Lydian Augmented compared to Eb major:

F major scale:

F Lydian Flat7 compared to F major:

G major scale:

G Mixolydian Flat13 compared to G major:

A major scale:

A Locrian Natural2 compared to A major:

B major scale:

B Altered Dominant compared to B major:


Modes of Harmonic Minor

The Harmonic Minor scale contains a flatted third, flatted sixth, and natural seventh.

C Harmonic Minor Scale:

The modes of C Harmonic Minor are:

Because only the first mode (harmonic minor scale) and the fifth mode (Mixolydian Flat9 Flat13) are commonly used in jazz, Below is a comparison of only the fifth mode of Harmonic Minor to its parallel major.

G major scale:

G Mixolydian Flat9 Flat13 compared to G major: