Yardbird Suite

C: IEb: IImin7Eb: V7C: I

| C| Fmin7Bb7| C

C IonianF DorianBb MixolydianC Ionian

C MajorEb MajorEb MajorC Major

C: bVII7C: VI7C: II7C: V7

Bb7| A7| D7| G7

Bb Lydianb7A Mixob9b13D MixolydianG Mixolydian

F RMMD HMG MajorC Major

C: IIImin7C: VI7C: IImin7C: V7

| Emin7A7| Dmin7G7

E PhrygianA Mixob9b13D DorianG Mixolydian

C MajorD HMC MajorC Major

C: V7C: I7C: IC: VII7

| G7| C7| CB7

G MixolydianC MixolydianC IonianB Mixob9b13

C MajorF MajorC MajorE HM

C: IIImin7C: #IVmin7b5C: VII7C: IIImin7

| Emin7| F#min7b5B7| Emin7

E PhrygianF# LocrianB Mixob9b13E Phrygian

C MajorG MajorE HMC Major

C: VI7C: IImin7C: IIImin7b5C: VI7

| A7| Dmin7| Emin7b5A7

A Mixob9b13D DorianE LocrianA Mixob9b13

D HMC MajorF MajorD HM

C: II7C: IImin7C: V7

| D7| Dmin7G7

D MixolydianD DorianG Mixolydian

G MajorC MajorC Major

For each set of four lines:

The middle line is the chord progression.

The top line is the harmonic analysis.

The third line is the first-choice mode (aka chord-scale) for that chord.

The fourth line is the scale from which the mode is derived.

Analysis produced by Steve Carter's THoTH Expert Music System program