Girl from Ipanema
| F: Imaj7 | F: II7 | F: IImin7 | F: bII7 |
| | Fmaj7 | | G7 | | Gmin7 | | Gb7 |
| F Ionian | G Mixolydian | G Dorian | Gb Lydianb7 |
| F Major | C Major | F Major | Db RMM |
| F: Imaj7 | F: bII7 | F: Imaj7 | F: II7 |
| | Fmaj7 | | Gb7 | | Fmaj7 | | G7 |
| F Ionian | Gb Lydianb7 | F Ionian | G Mixolydian |
| F Major | Db RMM | F Major | C Major |
| F: IImin7 | F: bII7 | F: Imaj7 | Db: IImin7 |
| | Gmin7 | | Gb7 | | Fmaj7 | | Ebmin7/Gb |
| G Dorian | Gb Lydianb7 | F Ionian | Eb Dorian |
| F Major | Db RMM | F Major | Db Major |
| Db: bVII7 | E: IImin7 | E: bVII7 | F: IImin7 |
| | Cb7 | | F#min7 | | D7 | | Gmin7 |
| Cb Lydianb7 | F# Dorian | D Lydianb7 | G Dorian |
| Gb RMM | E Major | A RMM | F Major |
| F: bVII7 | F: IIImin7 | F: VI7b9 | F: IImin7 |
| | Eb7 | | Amin7 | | D7b9 | | Gmin7 |
| Eb Lydianb7 | A Phrygian | D Mixob9b13 | G Dorian |
| Bb RMM | F Major | G HM | F Major |
| F: V7 | F: Imaj7 | F: II7 | F: IImin7 |
| | C7 | | Fmaj7 | | G7 | | Gmin7 |
| C Mixolydian | F Ionian | G Mixolydian | G Dorian |
| F Major | F Major | C Major | F Major |
| F: bII7 | F: Imaj7 |
| | Gb7 | | Fmaj7 |
| Gb Lydianb7 | F Ionian |
| Db RMM | F Major |
For each set of four lines:
The middle line is the chord progression.
The top line is the harmonic analysis.
The third line is the first-choice mode (aka chord-scale) for that chord.
The fourth line is the scale from which the mode is derived.
Analysis produced by Steve Carter's THoTH Expert Music System program