Girl from Ipanema

F: Imaj7F: II7F: IImin7F: bII7
| Fmaj7| G7| Gmin7| Gb7
F IonianG MixolydianG DorianGb Lydianb7
F MajorC MajorF MajorDb RMM

F: Imaj7F: bII7F: Imaj7F: II7
| Fmaj7| Gb7| Fmaj7| G7
F IonianGb Lydianb7F IonianG Mixolydian
F MajorDb RMMF MajorC Major

F: IImin7F: bII7F: Imaj7Db: IImin7
| Gmin7| Gb7| Fmaj7| Ebmin7/Gb
G DorianGb Lydianb7F IonianEb Dorian
F MajorDb RMMF MajorDb Major

Db: bVII7E: IImin7E: bVII7F: IImin7
| Cb7| F#min7| D7| Gmin7
Cb Lydianb7F# DorianD Lydianb7G Dorian
Gb RMME MajorA RMMF Major

F: bVII7F: IIImin7F: VI7b9F: IImin7
| Eb7| Amin7| D7b9| Gmin7
Eb Lydianb7A PhrygianD Mixob9b13G Dorian
Bb RMMF MajorG HMF Major

F: V7F: Imaj7F: II7F: IImin7
| C7| Fmaj7| G7| Gmin7
C MixolydianF IonianG MixolydianG Dorian
F MajorF MajorC MajorF Major

F: bII7F: Imaj7
| Gb7| Fmaj7
Gb Lydianb7F Ionian
Db RMMF Major

For each set of four lines:

The middle line is the chord progression.

The top line is the harmonic analysis.

The third line is the first-choice mode (aka chord-scale) for that chord.

The fourth line is the scale from which the mode is derived.

Analysis produced by Steve Carter's THoTH Expert Music System program